Sustainability is not an add-on to my work—it is built into every step of the process.

I prioritize natural materials and nontoxic techniques at every stage. My finishes are made in house from linseed oil, beeswax, and resins/solvents distilled from pine trees—no need to worry about contact with skin or food.

I go to great lengths to avoid plastics, epoxies, and harsh chemicals, favoring mechanical bonds and joinery. This is not only better for our environment, but also requires a degree of attention to build quality that means: the work is made to last.

My processes emphasize hand-fabrication and material removal in solid chips rather than computer-driven cutting and etching that produce fumes, microplastics, and fine-hazardous dusts.

I love metals because they can be reshaped, repurposed, and refined again and again. I strive make the most out of these beautiful materials, and because of these properties and traditional methods, I am able to reduce waste drastically. This is in stark contrast to today’s manufacturing methods, and even in contrast to what many call handmade work today. I believe that if a computer-navigated machine shaped the work, it was not made by hand, regardless of batch size. I will never pass off cheaply produced work as handmade.  

Sustainability, for me, ties directly into artistry and craftsmanship—showcasing the inherent value of the these stunning, natural resources and how they can be utilized in our lives.